Filed under: 4546147
Sup ya’ll. This is jduds reporting from Aspen, CO. So as I spent lots of time in the Aspen Public Library studying for my EMT class I found their music section and its out of control. Here’s some of what I dug up. It’s got some African, ska, reggae, soul, funk, jazz, latin, and Iggy and the Stooges. Public libraries are awesome.
We Will Get Them - Udokotela Shange Namajaha
Train to Skaville - Jackie Mittoo & The Soul Brothers
Soul Fire - Lee Scratch Perry and the Upsetters
We Need Love - Johnny Osbourne
I Forgot to Be Your Lover - William Bell
Across 110th Street - Bobby Womack
Do the Funky Chicken - Rufus Thomas
Filed under: 4546147 | Tags: Brazil, Dance, Groove, India, Jamaica, Live Music, Psychedelic, Rothbury, Thievery Corporation, Widespread Panic
Hello Internet travelers, this is my first post for Sumtink. I am the one referred to as “current/soon-to-be-past heady-tour around the U.S.” Heady tour has ended, and tomorrow I begin my job in Boston as an organizer for an environmental/consumer issues group. Borrowing a phrase from Thurston Moore, I hope I will give you much material for your ears to taste, and for your other senses to delight in for that matter.
One of the steps on Heady Tour 08 was the Rothbury Music Festival in Michigan. It was a much-hyped first-time festival, and it turned out to be perhaps the best of the summer. At its core, Rothbury is a jamband festival with Phil Lesh, Widespread Panic, and Dave Matthews Band as headliners, but it reached out to a number of bands from several other music worlds as well.
We saw Panic 7 times this summer, and they delivered possibly the best show of a great tour at Rothbury. After the show we managed to detach ourselves from the intriguing scuplture displays made from wood and recycled materials and ambled over to the electronicaish music emanating from the neighboring stage. Most festivals feature DJ’s and jamtronica bands late-night to cater to the tripping and rolling crowd (fyi, on heady tour, that is called being “spun”). Sometimes these groups can be pretty predictable. Thievery Corporation, however, is another matter.
I had been a fan of the group for some time since I acquired their relatively recent album the Cosmic Game (get this album!). The two primary members, Rob Garza and Eric Hilton, create tantalizing cosmopolitan downtempo grooves that incorporate musical styles from Brazil, India, and Jamaica, often in the same song.
This combines with electronic textures to make some of the most psychedelic music you’ll hear. I figured that their live act would consist of the two of them mostly regurgitating their excellent studio material, and that my familiarity with them would make for an enjoyable but not very novel experience.
How wrong I was! Thievery Corporation travels with the DJ setup plus a bass, guitar, two percussionists, a horn section, a sitar player sitting on a raised dais, an army of vocalists of several styles, and several ornately dressed dancers. Admittedly, the music is not that different from on the albums, but they re-create and tweak the grooves in such an organic way that one gets the sens of on-the-spot creation that comes only from live music. Their band can play legitimate dub that sounds straight from Jamaica (and their Jamaican vocalists are amazing and really pump up the crowd), sensuous samba rhythms, and even Soulive-style jazz-funk. As they played “The Heart Is a Lonely Hunter” with its lyrics about a spaceship, “beautiful forever” (sung by David Byrne on the album but not live unfortunately), we in the audience could sense the possibility of traveling to space and beyond without a tangible vehicle (not just with drugs, haha). Their live energy creates an incredibly optimistic sense of of our human creative potential, as individuals but especially as a collective of individuals. It is one of the few shows that I’ve been to where I felt like I was at an EVENT and CELEBRATION of life instead of simply a concert.
If you get a chance, go see Thievery Corporation! I promise you will dance your ass off and experience something really positive. The recordings cannot even come close to the live sensation, but check it out (on the bittorrent site, bt.etree.org, great site by the way): http://bt.etree.org/details.php?id=516624
If you’re curious about the visual spectacle, check out the videos on YouTube. The sound is typically terrible, but you can get an idea of what I’m talking about. Their website has some videos as well: http://www.thieverycorporation.com/video.htm
I’m excited to see where they go from here, hopefully they won’t rest on their laurels and churn out music with the same formula as some bands tend to do in their genre.
howdy y’all from the deep, dark heart of the country
yup, thats right
texas
i feel a little out of touch with with the so called ’scene’ considering my location (small town) and infrequent glimpses of the internet, but i can throw a bone in here or there. possibly shit that you’ve heard of months or even years ago, but hey, things move kinda slow here.
if you want to know the know about country, western OR swing music, i’m you’re guy. i’m hip deep down here. but i’ll try to stick to the story
luckily i’m in radio distance to houston. heard about jimi tenor, who apparently is the big deal in his finnish homeland (and that funny place we call europe). i need to check out more, maybe get a cd, but heres a few tidbits to get ya goin.
http://www.youtube.com/watch?v=oSsNqL9Z4ls&feature=related
and
red kaftans, silvery gowns, and embroidered robes?
why not
http://www.theworld.org/?q=node/19636
allmusic talking about his album intervision “An almost uncharacteristically schmaltz-less collection of minimal electronic jazz, Intervisionblends fat organ leads with horns, raw and treated vocals, and rhythmic and percussive figures drawn from ’60s and ’70s soul, funk, fusion, and psychedelia, as well as contemporary house, downbeat, and techno. Oddly (or not), the album was recorded using only ancient Russian analog gear, in a former Communist dancehall.’
nothing sounds more fun then a former communist dance hall
Filed under: Aural Pleasure, Visual Basics | Tags: mp3, Nicole Willis, The Soul Investigators
I’m trying to see the signs of where the first five chords of this song are directing me, but I just can’t get a grasp of the song they’re bringing me back to.
Maybe it’s just one of those familiar little riffs.
Regardless, this here is Nicole Willis meshing with the Soul Investigators.
Two songs here from her zero-5 album, Keep Reachin’ Up, that I’ve been feeling the past days.
Feeling Free
The Rhodes on No One’s Gonna Leave you is just killin me.
Shit, the Rhodes always kills me.
And the steady un-steadiness of the guitar’s pluck-pluck is so on point for this song.
Feelin’ Free is another one of those jams that opens up in such broad terrain. First time I heard it was just on the edge of my seat “where the hell is this going, cause I’m 30 seconds in and I still don’t have a clue what era this is, what lifeculture this is woven from”. Think that all ties in with the song title, lyrics, and hot crisps of Willis’ voice.
Other songs on Keep Reachin’ Up do the same. The song Holdin’ On is one that comes to mind. And it has a Rhodes solo that just blows it up.
In other news, Sesame Street has recently been taken over by MOP.
Yap that fool!
¡Up’n’Up!
I think it’s a product of popular discourse and the phraseological units in which we employ “inertia”, that I have always had trouble with classical physics’ notion that inertia isn’t a force…cause damn, that shit feels like it keeps me from doing stuff. I guess it’s just me coastin along, sippin root beer and eating Fritos. no new energy/force there…
anyway,
SumTink is back up and runnin, and the ‘we’ will soon to be expanded to a few other clutch music heads. We got a straight up diaspora going on as the people on the site are headin in all sorts of directions – Colorado, Texas, a current/soon-to-be-past heady-tour around the U.S., Boston, South Korea – so we’ll definitely be bumpin into new things along the way. Still trying to see the site as some collective canvas, allowing a place to smatter creative crunk in whatever way we find it or make it: Thought, music, (dys)functional design, photography, architecture, graf, typography, painting, ex. set. terra. It’s for us (as we’ll able to see what the others are getting themselves into) and it’s for you. If the momentum keeps on-and-on, it should pan out to be something interesting/weird (most definitely the latter).
For now, here’s a mixtape I’ve been wanting to post since mid-spring (Get past the second song and the pitch-ditch of that first gig just keeps growing). By the homie Maga Bo, ex-pat’ed down in Rio (can you blame him?), and always coming correct with the bounciful.
Maga Bo, World UP Mix
Much love
Love Much
SumTink
I&I Djangdan
The music scene in Seoul is notoriously lacking, but last night I went to a stellar performance by I&I Djangdan at Club Cargo, a cozy underground lounge in Hongdae. Korean soused-siren-singing with slick melodica, bass and drummed out dj-ing make for a surprisingly groovy combination that had the crowd swaying and bopping all night. I believe a few of the members are of the Korea reggae group Windy City, who will be performing at the Pentaport Rock Festival (July 25-27) with Ozomatli. Love love love the melodica man…I can still hear the haunting melodies echoing through my body.
aaaaaaand I can’t seem to get the youtube video to embed properly, so here are a few links–one click and you’re in a whole new world of groovetastica, so go go go!
Filed under: Aural Pleasure, Reeeemix!, SSS[strongsexysirens] | Tags: summer jams
it’s monsoon season in Seoul right now, maybe a bit on the waning side of things but that only means more hellish-humidity-with-no-rainstorm-relief-in-sight kinda weather, which makes proper professional gear all the more stifling and utterly unbearable.
the only thing that’s getting me through the day is my digital gang of soul-swangin summer-stoop hangin ladies.

Estelle: does she really need an introduction? mayhap, daymap. She’s one more o’ dem London exports sportin the UK bawl and sassafrass. You might’ve heard her single with Kanye, “American Boy,” the original version of which I’ve never heard but of all the katrillions of remixes out there, the MR GASPAR ditty is all you’ll wanna hear. Faith like Evans, believe.
Estelle - American Boy feat Kanye (MR GASPAR remix)
Nowadays, I’m head-over-heels-ing for her song, “No Substitute Love” and “Magnificent.” I have a stupid habit of not connecting titles to lyrics, so for the longest time I thought the chorus in “No Substitute Love” was saying, “I’m not your prostitute lover, Ohh noooo.” The message seems to be the same, though.
Estelle - No Substitute Love (Prod by Wyclef Jean & Jerry \”wonda\” Duplesis
Estelle - Magnificent (feat Kardinal Offishall)
Little Jackie is also one of dem sexy sirens who make you forget the heat but still bring on the swoon. She’s been getting compared to Amy Winehouse, but that means nothing nowadays–seems like you just need to have a bit of character, a lot of hair and swagger in rhythm to be tagged as the next queen of poprock candy ie snap, CRACKle, bop. I just dig her highly digestible sound bites: “There’s only one me in the galaxy/I am an endangered species/This kind of flower doesn’t grow on earth/Just lettin ya know for what it’s worth”–it’s almost like she’s spittin some Little Prince philosophy right thurrr. She’s certainly tamed me.
Little Jackie - The World Should Revolve Around Me
where there’s fire, ring the alarm, let the sirens come and save you.
Dubconscious Space-rastas-in-outer-space
This is one of the better DubMixers I’ve come upon in a minute.
Your boi, Dub Boy, dropped this at Spannered.org and it’s a damn fine smattering of old and new.
It’s also the beefiest M Três we’ve dropped on this site, clockin in at 77 min or something wonderous, but hopefully I can lift it up on, and you can enjoy it.
Also of import:
I saw a 5-lb bucket of Fluff the other day.
FIVE POUNDS of FLUFF…
Only here, in this great land.
I was, however, thankful for my perceived freedom yesterday. and my ability to say “Fuck the president” if I want to…
Here’s the track list. It aint short.
* Beenie Man — Pardon (Taxi)
* Lady Saw — Married Man (Taxi)
* Mr Vegas — Lean Wid It (Taxi)
* Sugar Minott — Tune In (Taxi)
* Sugar Minott & Bounty Killer — Tune In (Taxi)
* Taurus & Jimmy Riley — Pull Up Selector (Taxi)
* Shabba Ranks — Respect (Shang)
* Barrington Levy — Murderer (Jah Life)
* Carlton Livingston — 100 lbs of Collie Weed (Jah Life)
* RSD — Murderah (Unreleased)
* Mungo’s Hi Fi ft. Mikey Murka — Back on the Scene (Scotch Bonnet)
* Mungo’s Hi Fi ft. Soom T — Did you Know? (Scotch Bonnet)
* Mungo’s Hi Fi ft. Rock — Inna Dancehall (Scotch Bonnet)
* Mungo’s Hi Fi ft. Brother Culture — Ing (MJ Mix) (Scotch Bonnet)
* Mungo’s Hi Fi ft. Carl Meeks — Higher Level (Scotch Bonnet)
* Mungo’s Hi Fi ft. Top Cat — Herbalist (Scotch Bonnet)
* Junior Delgado — One Blood (Fashion)
* Junior Reid — One Blood (J.R. Productions)
* Junior Delgado — Dub School (Fashion)
* Junior Byles — Fade Away (Jama)
* Disrupt — THC 1138 (Werk)
* King Tubby — Fade Out (Firehouse)
* Disrupt — Riddim Grid (Werk)
* Mikey Dread — Saturday Night Style (Auralux)
* RSD — Prophecy (Angels Egg)
* Luciano — Just Hold On (Charlie’s)
* Chezidek — I Won’t Change (Charlie’s)
* Fantan Mojah — Hold Dem Heads (Charlie’s)
* McPullish — Dub Change I (Charlie’s)
* McPullish — Aerophonic Dub (Charlie’s)
* Henry & Louis ft. Prince Green — Love Like (2 Kings)
* System Error ft. Michael Rose — Time Bomb (Universal Egg)
* VC — Gone (Dig Dis)
* Rootz Underground — Victims of the System (Rootz Underground)
* Dark Angel — Cool & Humble (Boka)
* Mungo’s Hi Fi — I Love Jah (Unreleased)
* Etherealites — El Toro (Roots Garden)
* Nick Fantastic — Kingdom Riddim (Massive B)
* Collie Buddz — Let Me Know (Massive B)
* Chezidek — Call Pon Dem (Massive B)
* Richie Spice — Rooted & Grounded (Star Trail)
* Richie Spice — The Plane Land (VP)
* Richie Spice — Earth A Run Red (Henfield)
* Taurus Riley — She Is Royal (Cannon)
* Disrupt ft. Mikey Murka — Empress (Scotch Bonnet)
* Henry & Louis meet Blue & Red ft. Willie Williams — Plastic World (BSI)
* VC — Deeds Dub (Dig Dis)
* Gussie P — Chill Out Dub (Sip A Cup)
* Steretyp ft. Tikiman — Fling Style (G-Stone)
* Smith & Mighty — Brain Scan (Angel’s Egg)
Filed under: Aural Pleasure, Visual Basics | Tags: Bablee, Bonde Do Role, Chief Boima, Coupé-Décalé, DJ Znobia, Konono #1, Radioclit
Fuck Shit Up w/ Your Booty Bouncin Bump Bump.
That could definitely be used to describe some different current musics of the African Diaspora. Baile Funk, so sure. Jungle/Drum’n’Bass, no question. Hip-Hop/Rap, mos def. Coupé-Décalé? What the shit is that?
Its like the Carnival of Soca, Samba, Baile Funke, Zouk, Kuduro, and Chicago House. Coming out of the Coups, Civil Wars, riots, political and social firestorms, of the last…well, 9 years more or less (the ’99 Coup, the ’02 Fuck-all, the ’04-’07 Explosion, the current oppression by Soro) Coupé-Décalé is Côte d’Ivoire’s up-tempo response that’s being picked up all across the UK, France, and apparently much of Western Europe.
This is a mixer spotting:
Tony Allen v Bonde do Role w/ “Awa Nare Remix”
Usher v. Chief Boima w/ “Love in this African Club”
Bablee w/ “Tout Est Dedans”
Elephant Man v. Chief Boima w/ “Free Your Soul”
Angola’s DJ Znobia w/ “Mono Mono”
Radioclit w/ “Secousse”
and
Konono No. 1 w/ “Paradiso”
Now Bonde do Role can border Baile (if only because they poke fun at it at times), but this is minimized and refixed so as to let the West African underpinnings buoy up. Chief Boima mixes Usher, which ain’t my drinkydrank, but Boima stills kills it. Bablee’s Tout Est Dedans is next with some ridiculous polyrhythmic-ity that apparently is only a 3-minute cut from the tracks 19+min build…I’m loving this cut so Imma have to find that madness.
And then there’s “Free Your Soul”. Which is the jam.
Shit is the JAMMMMM.
And the seamless segue way into Znobia’s Kuduro hitter is…yep.
“Secousse” drops the second-to-last bit, actually weighing more on the Kuduro side, but it makes for a good set-up to Konono #1’s “Paradiso”.
Check the video for some visuals:




