I&I Djangdan
The music scene in Seoul is notoriously lacking, but last night I went to a stellar performance by I&I Djangdan at Club Cargo, a cozy underground lounge in Hongdae. Korean soused-siren-singing with slick melodica, bass and drummed out dj-ing make for a surprisingly groovy combination that had the crowd swaying and bopping all night. I believe a few of the members are of the Korea reggae group Windy City, who will be performing at the Pentaport Rock Festival (July 25-27) with Ozomatli. Love love love the melodica man…I can still hear the haunting melodies echoing through my body.
aaaaaaand I can’t seem to get the youtube video to embed properly, so here are a few links–one click and you’re in a whole new world of groovetastica, so go go go!
Bjork is one crazy chick. Her music videos always leave me feeling a bit disturbed, something about her eerily porcelain child-alien features and spastic moves. Her video for “Wanderlust” has a Where the Wild Things Are vibe, and the part where she flips around with the creature man in her backpack tickles me, half amusement, half horror. I love the old school feel they achieve with 3d animation, and the costume designing process is just incredible–check it out in the making of video. spotted via shape+color
Del the Funky Homosapien has a new album coming out today, March 11th.
If you don’t know Del, then you act like you know and watch this video and cop his new album.
…Cause one day it may matter.”
After the last post on Little Feat, I feel compelled to paint some contrast.
Back in the day of that BBC video, nobody would have dreamed this next video was possible. Then again, back in the days of Ragtime, nobody would have predicted the emergence of a group like Little Feat, revolutionary in its own right.
DJ Qbert has been someone to take the concept of music and sampling and the expanse of instrumentation to another level entirely. There have been lots of people who have popularized and brought their own unique techniques and approaches to turntablism, but Qbert (to me) has always been at the fore.
These videos are madd old and the art has progressed incredibly since them, but they’re still illy vanilly.
And you gotta love the two goofy brits doing the White-Man Neck-Bob.
Bongo Flava:
Producer, Oliver Valente of Tanzania
X-Plastaz
Kenyan Genge:
Kalamashaka
Afrikaans Rap – MC Terror:
n the island of Cebu in the Philippines, there are two jails. One is a third-world nightmare hell on earth full of happy, relaxed people. The other is a thoroughly modern facility where all the inmates are hateful, twitchy, and basically traumatized.
Bagong Buhay Rehabilitation Center is a 30-year-old prison designed to house about 250 prisoners. It’s currently holding 1,600. The prison is so packed that there’s not enough room for everyone to lie down at once, so the prisoners sleep in shifts, mostly three to a pile on tiny makeshift cots called cobols that are made out of rice sacks and wood scrap.
It’s also too full to close the prison doors, so the prisoners just clamber around as they please—murderers, embezzlers, bandits, and perverts rubbing shoulders and holding master classes. Apparently, it’s calmed down a lot since about 900 drug addicts were moved to a separate facility down the road.
Like a lot of prisons in the Philippines, the BBRC is built on the old colonial model: A square of dirt with a big wall around it. It’s a madhouse. The guards won’t set foot in the place unless they’re in a pack of 20 and covered by sharpshooters on the walls.
Plumbing is non-existent. There’s never enough food, and the best time to shower is when it rains. It sounds like the perfect example of the worst prison on earth, but it’s actually not so terrible. Because there are no guards—really—the prisoners have to organize things for themselves. They do this along cellblock lines. Although the doors to the cells are never closed, the prisoners operate under the rubric of 13 cellblocks, or brigades, with between 100 and 200 members to each 100-square-meter “home cell.”
Every cellblock elects its own bosyo, or mayor, whose job is to keep the peace and solve problems for the prisoners. He gets medicine for the sick, helps fill out paperwork, and organizes ritual beatings for prisoners who get out of line. The beatings are not too brutal, though, because any prisoner can just go join another cellblock if he feels hard done by. Basically, a bosyo characterized it to me like this: “If they step out of line, I spank the butt.”
This was taken from Vice Magazine. A modern day, commercialized, Tibor Kalman with a little more foot in your face. You can check out the rest of the article here.
Does this not say so much about the core of the human spirit as well as the screwed up institutions we have come to use to constrain and beat it with?
While traveling through Laos 4-5 years ago, I wanted to go to stay on this island in the middle of this man-made lake. Apparently, after creating some dam, the government flooded this entire valley (accidentally or not, I’m not sure) thus creating a lake that ranged from 5 to maybe 30 feet deep throughout. You can think of it more as a really huge puddle. Anyway, the story goes that the government then decided to send all the prostitutes and thieves arrested to the islands created by the high-points in this valley. Bear in mind that this was all in the 50’s/60’s so they had long since died and/or swam away, but I had heard that there was still an island on which it was possible to stay and there were some people who could take me out to it via their motorized dug-out canoe. I wont go into the entire story of that night (because A. that’s not the point of this story and B. it would take FAR too long) but lets just say I ended up having a crazy night staying with a bunch of squatters who had taken up home in this old, dilapidated-as-hell/falling over, speak-easy type restaurant/old motel. It was a ridiculous experience. The point though is that these islands, filled with con-men and thieves, and hoes, and what-have-you, developed their own little island-specific towns and cultures. They built their own restaurants and ‘bars’ and whatever else. Just like the prison-system described in that Vice article. Sure, people probably tussled and some people may have killed each other, but that’s life (and death) and it didn’t happen so much that it destroyed their culture. Those delinquents were probably dealt with (‘spank the butt’?). The fact remains that those ‘terrible’ people still created something that worked and still cooperated and trusted enough to build things and make some community work. They didn’t just all freak out and stab each other in the face. Plus, they probably had a better life and learned more than what would have happened had they been put into some monolithic concrete jail-monster with I’ll-put-the-fear-of-god-into-you-because-I-can type of guards.
All this is visible in aforementioned jail in the Philippines.
And furthermore, I think this is the same jail (Note: Nope, not the same jail. This jail is Cebu Provincial Detention and Rehabilitation Center – CPDRC. Don’t know if it’s the ‘other’ jail they speak of in the article…I’ll pretend it isn’t.)
I remember seeing the Thriller performance (choreography is stellar in this one) a ways back, but I just couldn’t resist this one.
Thriller! Soulja Boy! MC Hammer! DANCING! In prison!
What are we doing America?
We have the highest incarceration rate in the world at 737 persons imprisoned per 100,000. Here, more than 1 in 100 adults are now confined in an American jail or prison. We have about 5% of the world’s population and 25% of the world’s incarcerated population….
In the past number of years people have gotten pretty heated over the privatization of prisons. Those for privatization argue cost reduction, whereas the arguments against it focus on standards of care, and whether a market economy for prisons might also lead to a market demand for prisoners (tougher sentencing for cheap labor).
Private companies which provide services to prisons form the American Correctional Association, which advocates legislation favorable to the industry…..
Housing one prisoner usually costs a state between $18,000 and $31,000 every year, $33 per day for the average prisoner and $100 per day for an ‘elderly’ prisoner…
What the fuck, yo?
Filed under: Aural Pleasure, Vidbit | Tags: Bonde Do Role, Brazil, mp3, Radioclit
Bonde Do Rolê have BLOWN UP over this past year. Damn, yo! Got signed to Mad Decent a while ago and haven’t looked back since.
These kids are ridiculous. Hailing from Curitiba, Brazil (look the place up if you don’t know about. One hell of a city.) these fools mash up Baile Funk, straight Miami-Bass, Punk and a little Hippy Hop. Beats like those on Melo do Tobaco and Funk da Esfiha are pure grungy Baile beats (especially Melo). You may think it sounds terrible at first, but trust me, it grows on you.
Crazy energy. Ridiculous lyrics. Lots of fun.
Bonde Do Rolê – Funk da Esfiha
Bonde Do Rolê – Salto o Frango
Bonde Do Rolê – Melo Do Tabaco
Bonde Do Rolê – Gasolina (Radioclit Remix)
Filed under: Vidbit
Meeting new people is nice.
“You like this? What do you think of that? Tell me about that, I don’t know anything about it. Where you at?”
Compassionately challenging each other – “Why like THAT?”
It’s always amazing to meet people who you just fall in with. And it can be just as interesting to meet people who you simply DON’T fall in with. And instead just bump into each other, dumb-eyed and googly-mouthed.
I met someone recently who talked about the beauty in nostalgia. I had never really put those two words together. But the more I thought about it, the more I felt the connection. Not in the sense of wanting to return to some previous time so much that the present becomes unbearable, but the nostalgia of being able to smile and love quietly to yourself, or with others, some time passed on and being OK with its past tense. That re-connect. That flood of mental imagery, visceral feelings, transforming into the physical, the guffaw or smile or whatever it is. I like that.
And it reminded me of this video/song titled Nostalgia by Masta Ace and produced by Marco Polo.
I love the start of the video with Masta Ace getting his red ‘drank’ (Chapelle, what!), and Marco Polo, the producer/DJ, bringing in the beat, upping the radio.
I feel like a number of Rawkus videos I’ve seen start in with the beat backed out like that, looping around on you until it gets to the front, pulling you in from the shirt collar.
Handclaps, Ace. Handclaps. Yep, I hear that.
